Sometimes it’s the unexpected details that captivate us. In The Tree of Life, director Terrence Malick and cinematographer Emmanuel Lubezki evoke intense childhood memories by focusing on simple hand gestures rather than showing the entire scene. In Collateral, director Michael Mann and cinematographer Dion Beebe place viewers at the heart of the action with dynamic camera movements that convey the energy of a moment with striking realism.
Wes Anderson’s films, like The Grand Budapest Hotel, mesmerise us with his impeccable eye for composition and symmetry.
Meanwhile, the dream duo of director Christopher Nolan and cinematographer Hoyte van Hoytema embrace the timeless beauty of analog film. Their use of deep, rich colours is reminiscent of classic photography, creating a sense of nostalgia and permanence.